We are still adding more faculty, so bookmark this page as we will update new information as it comes in.


Alessandro PenezziMy Choro Harmony class will offer professional and amateur musicians a detailed harmonic study of Brazilian Choro. We will analyze some of the more common harmonies used in Choro and develop an understanding of their use in composition.
Alexandre RibeiroFIRST PART
Warmup and technique: My aim here will be to organize the study habits of the pupil. We will develop warmup and sound exercises to develop the technique of the instrument—including exercises of major, minor, and chromatic scales; exercises of major, minor, augmented, and diminished triads; exercises for articulation, speed, and exploration of the extent of the instrument. read more>
Ana LaidleyClass description coming.
Brian DavisThe goal of my class is to give students a good foundation in the basics of Samba Batucada (including syncopations, rhythms, entrances, exits) with exercises for technique and continued practice, and everyone up and playing. Good for developing and expanding what you know, plus an opportunity to learn new instruments. read more>
Carlinhos Pandeiro de OuroFrom atop Mangueira's float to CBC, Carlinhos will be back with us in 2012! Class description coming.
Curtis PierreThis year I will be teaching Show da Bateria which will feature some breaks from the Samba schools from this year and last year's by three arrangements. Some won't be from the quadra of the escola de sambas and some from the public released CD also. I have arranged a special piece from Senegal by a great drummer call DUDU Rose. I will also have aspecial class on Pandeiro juggling. casasamba.com
Francisco MarquesMy class is deal for those students who have little or no experience singing in Portuguese or playing traditional Samba/Pagode instruments. You will learn the fundamentals of playing the cavaquinho, violâo de Sete Cordas, pandeiro, rebolo, tantan, tamborim, reco-reco, repique de mao, and ganza in a samba ensemble. gingaband.com
GuingaA unique opportunity to be with one on the great composers/musicians in Brazil. Guinga's class explores his music, his approach to it, and the joy of making it. All are welcomed to participate. guinga.com
Ian FaquiniBeginning guitar will focus on basic chords and rhythms found in Brazilian popular music. The different concepts will be applied in learning songs from the great Brazilian song book.
Marcos SilvaWe are going to be playing Brazilian tunes from various Brazilian composers. We'll use the first two rehearsals as an "audition", and if you think the class is too difficult for you, I will then say "Thank you for at least trying to play it". This class is not for beginners and is not a jam . You can stay in class to observe, but beginners are not allowed to play any instrument during my class.
Michael SpiroBataKetu is a class that demonstrates and explores the relationship between Afro-Brazilian and Afro-Cuban music. It focuses primarily on the music (both song and percussion) of the Orixas/Orishas, but also includes secular music as well, including samba, pagode, rumba, songo, and so forth. michaelspiro.com • sambamasterclass.com
Monica GolcwajgI have been a Portuguese teacher for over thirty years. I understand that a language class has to be fun and relate to one's reality. This class integrates some grammar, language structure, and culture. It is about understanding the Brazilian life style, slang, and the language of the everyday life. We study a vocabulary that relates to what we do, our lives and interests. A special attention is paid to pronunciation and consequently to the use of different muscles in the mouth.
We have students of different levels in the same class and everyone can benefit from it. Whenever possible, we work on songs and lyrics and whatever are the students' interests.
Moyseis MarquesWe`re gonna explore the Brazilian Popular Music itself. Exchange experiences, checking recordings out , timbres, voices combinations. For those who want to, voice warm ups and vocal tecniques, breathing, especially for beginers. Repertoire for the pros, vocal adequacy for the brazilian music, phrasing , assembly of little emsembles and performances with duos, trios and solos. And the most important thing , having fun with our voices, desmystifying and humanizing the singer, making ourselves believe that it's possible.
Renata SeccoMy class introduces students to the basic samba (samba no pe) as well as learning to coordinate body movements with the fast rhythms of Brazilian samba music. It adds twists, turns, shaking and style to the motions and basic samba steps. I will break it all down for you in an "easy to follow format". This is great class for first-time students and for returning students who want extra practice and more repertoire.
Ronaldo AndradeI plan on covering all main samba and pagode composers, such as Zeca Pagodinho, Martinho da Vila, Beth Carvalho, Paulinho da Viola, Almir Guineto as well as some Samba enredos.
Rosangela SilvestreSILVESTRE TECHNIQUE, native to Salvador, Bahia, is a continuously evolving contemporary dance technique with the objective of conditioning the dancer through physical and expressive training regardless of level or prior training.
read more>
Alessandro PenezziMy Choro Harmony class will offer professional and amateur musicians a detailed harmonic study of Brazilian Choro. We will analyze some of the more common harmonies used in Choro and develop an understanding of their use in composition.
Alexandre RibeiroFIRST PART
Warmup and technique: My aim here will be to organize the study habits of the pupil. We will develop warmup and sound exercises to develop the technique of the instrument—including exercises of major, minor, and chromatic scales; exercises of major, minor, augmented, and diminished triads; exercises for articulation, speed, and exploration of the extent of the instrument. read more>
Brian RiceWe will cover Choro and Samba as well as other Brazilian musical styles using traditional, and modern techniques, like those of Marcos Suzano. Through some pandeiro ensemble pieces we will explore some of the vast musical possibilities on the instrument.
CapitalLearn to play beautiful Bossa Nova classics on guitar. For all levels. Perfect for guitarists looking to learn more chords and right-hand patterns, and for singers who want to accompany themselves. capitalguitar.com
Carol Bach-y-RitaClass description coming.
Curtis PierreThis year I will be teaching Show da Bateria which will feature some breaks from the Samba schools from this year and last year's by three arrangements. Some won't be from the quadra of the escola de sambas and some from the public released CD also. I have arranged a special piece from Senegal by a great drummer call DUDU Rose. I will also have aspecial class on Pandeiro juggling. casasamba.com
Francisco MarquesMy class is deal for those students who have little or no experience singing in Portuguese or playing traditional Samba/Pagode instruments. You will learn the fundamentals of playing the cavaquinho, violâo de Sete Cordas, pandeiro, rebolo, tantan, tamborim, reco-reco, repique de mao, and ganza in a samba ensemble. gingaband.com
GuingaA unique opportunity to be with one on the great composers/musicians in Brazil. Guinga's class explores his music, his approach to it, and the joy of making it. All are welcomed to participate. guinga.com
Mark LamsonBataKetu is a class that demonstrates and explores the relationship between Afro-Brazilian and Afro-Cuban music. It focuses primarily on the music (both song and percussion) of the Orixas/Orishas, but also includes secular music as well, including samba, pagode, rumba, songo, and so forth. Mark's info
Monica GolcwajgI have been a Portuguese teacher for over thirty years. I understand that a language class has to be fun and relate to one's reality. This class integrates some grammar, language structure, and culture. It is about understanding the Brazilian life style, slang, and the language of the everyday life. We study a vocabulary that relates to what we do, our lives and interests. A special attention is paid to pronunciation and consequently to the use of different muscles in the mouth. We have students of different levels in the same class and everyone can benefit from it. Whenever possible, we work on songs and lyrics and whatever are the students' interests.
Philip GalinskyClass description coming.
Ronaldo AndradeI plan on covering all main samba and pagode composers, such as Zeca Pagodinho, Martinho da Vila, Beth Carvalho, Paulinho da Viola, Almir Guineto as well as some Samba enredos.
Rosangela SilvestreSILVESTRE TECHNIQUE, native to Salvador, Bahia, is a continuously evolving contemporary dance technique with the objective of conditioning the dancer through physical and expressive training regardless of level or prior training.
read more>
SILVESTRE TECHNIQUE, native to Salvador, Bahia, is a continuously evolving contemporary dance technique with the objective of conditioning the dancer through physical and expressive training regardless of level or prior training. In 1982, ROSANGELA SILVESTRE began the early stages of developing her technique, which over time has developed into a series of exercises working to train the mind, body, and spirit. Exercises are based upon fundamental Afro-Brazilian symbols and gestures, the four elements of nature(Earth, Water, Air, fire), the chakras (points of energy in our bodies) and the 3 triangles(intuition, expression and balance). Classes are accompanied by live music to further awaken expression and inspiration. All levels are welcomed and encouraged.
ORIXA DANCE MOVEMENT examines and interprets symbols, gestures and movements derived from Yoruba deities. We will be learning traditional dances/ movements as we identify their specific energies/traits in relation to the 4 elements :Earth, Water, Air, and Fire.
SILVESTRE TECHNIQUE, native to Salvador, Bahia, is a continuously evolving contemporary dance technique with the objective of conditioning the dancer through physical and expressive training regardless of level or prior training. In 1982, ROSANGELA SILVESTRE began the early stages of developing her technique, which over time has developed into a series of exercises working to train the mind, body, and spirit. Exercises are based upon fundamental Afro-Brazilian symbols and gestures, the four elements of nature(Earth, Water, Air, fire), the chakras (points of energy in our bodies) and the 3 triangles(intuition, expression and balance). Classes are accompanied by live music to further awaken expression and inspiration. All levels are welcomed and encouraged.
ORIXA DANCE MOVEMENT examines and interprets symbols, gestures and movements derived from Yoruba deities. We will be learning traditional dances/ movements as we identify their specific energies/traits in relation to the 4 elements :Earth, Water, Air, and Fire.
FIRST PART Warmup and technique: My aim here will be to organize the study habits of the pupil. We will develop warmup and sound exercises to develop the technique of the instrument—including exercises of major, minor, and chromatic scales; exercises of major, minor, augmented, and diminished triads; exercises for articulation, speed, and exploration of the extent of the instrument.
SECOND PART Language and repertoire for the clarinet in Choro: this part of the course focuses on the development of the language of Choro, learning to develop in practice the traditional repertoire and also contemporary styles. We will work on memorization of Choro pieces, transposed readings of melody and harmony, experiencing audio recordings and video of various interpreters of Choro and Brazilian music, and creating Choro in duets, trios, and quartets.
FIRST PART Warmup and technique: My aim here will be to organize the study habits of the pupil. We will develop warmup and sound exercises to develop the technique of the instrument—including exercises of major, minor, and chromatic scales; exercises of major, minor, augmented, and diminished triads; exercises for articulation, speed, and exploration of the extent of the instrument.
SECOND PART Language and repertoire for the clarinet in Choro: this part of the course focuses on the development of the language of Choro, learning to develop in practice the traditional repertoire and also contemporary styles. We will work on memorization of Choro pieces, transposed readings of melody and harmony, experiencing audio recordings and video of various interpreters of Choro and Brazilian music, and creating Choro in duets, trios, and quartets.
The goal of my class is to give students a good foundation in the basics of Samba Batucada (including syncopations, rhythms, entrances, exits) with exercises for technique and continued practice, and everyone up and playing. Good for developing and expanding what you know, plus an opportunity to learn new instruments. All levels welcome and accommodated, with the understanding the pace of the class will be direct. Some samba traditions, some new designs and breaks included.
Beginning Caixa sectional :
An overview of a variety of caixa rides, their entrances and exits, with sticking exercises for time and technique.
Recommended for beginning/intermediate students who plan to explore caixa in the beginning bateria.